#Dying light voice actor full#

As opposed to the more ramshackle, old world feel of Old Villedor, this section took place in the urban Central Loop that's full of towering city buildings. Rosario Dawson makes a welcome appearance - in general, the quality of voice acting and writing seems high in Dying Light 2.ĭying Light 2 mixes up the formula a little too with the introduction of a paraglider - something I got the smallest of tastes of in the latter section of the preview offered up. Having a parkour mechanic that's both dynamic and dependable is no mean feat at all.

I can't pretend to be too much of an expert on the original's parkour to tell you precisely where improvements have been made, but there's noticeably more animations helping sell the spectacle and what I can say is that after a hefty amount of time with Dying Light 2 its traversal never let me down. It can make even the most mundane fetch quest feel like fun, as you pounce up on rooftops and leap athletically to your next objective. Getting from A to B in Dying Light remains a delight. There's a brilliant sense of threat once night rolls in and you sprint from one mob of undead to another, and it's backed up by the series' brilliant parkour mechanics. Just like its predecessor, Dying Light 2 is governed by a day/night cycle that's more pronounced than in many other open world games by the fact that when the sun sets things get a lot more lethal. Step away from the main story and there's still plenty to do in Dying Light 2, from open world staples like bandit camps to scout and conquer, windmills to scale so that you can unlock safe zones and items to be collected and crafted. It's compelling stuff, and is another aspect of what was already an enjoyably multi-faceted game. Thankfully there's some nice tall buildings in the more built-up parts of The City to fling yourself from. The paraglider, unlocked much later in the game, opens up your traversal options. Through conversation choices and your own decisions about whether you take on certain missions or not, you're given a fair amount of agency in how things play out - and key moments are given urgency by a system similar to Telltale games and the Life is Strange series, where your hand is forced as there's limited time to make big decisions. The backbone of our time in and around Old Villedor was supplied by two bickering factions who set you about their busywork, while using you as a pawn in their own conflict. Some will send you out into the wilds of the city with a simple fetch request, while others offer up questlines that can get a little more complicated. A ramshackle bazaar acts as a sort of hub, and it's where you'll find shopkeepers as well as quest givers. You're forced to make big decisions on a timer, meaning there's no dithering allowed.Īll that breadth would count for nothing if it wasn't backed up by some depth, and Dying Light 2 really delivers here on multiple fronts. Indeed, it's one of seven sections of a map that's supposedly four times larger than that of the original Dying Light, and even after three hours poking around it felt like there was plenty still left to see.

Our time with Dying Light 2 kicked off in Old Villedor, a ramshackle and very much run down section of the game's vast map. Those small tweaks make a big impact on Dying Light, making for a much more immersive experience. This is a game world rich with rival factions for you to pick your path between, and branching storylines backed up by dialogue choices, all of which inform and influence the world around you. It's an anonymous name for a lead character who seems like something of a blank slate (even if it is a fully voiced role, with Jonah Scott's performance completely nondescript), though I think that's intentional as Dying Light 2 puts its story firmly into your hands. So what's changed? Set 20 years after the events of the original Dying Light, the sequel introduces all-new protagonist Aiden Caldwell.

Dying light voice actor